MARTIN LUTHER KING JR., “THE DRUM MAJOR INSTINCT” SERMON
“Four women from Torgheh, a poverty-stricken tribal village in the north eastern part of Iran, haven’t really got things going for them. Three out of four of their husbands have simply deceived them or taken a second, younger wife without consulting with them first. But instead of complaining, the four women take up their tars, a traditional lute-like instrument, and sing about eternal love and the past glories of their youth. Even when their instruments are confiscated and burnt after a public performance, the women still continue to play, in the intimacy of their own houses, for their children, or in the open fields when herding the sheep. The documentary does show us the stark differences between public and private life, but the women bravely overcome this gap by making clear that no man nor a government can ever take away their music from them.”
Four Iranian country women from northern Khorasan, who play doetar and sing, encounter life’s challenges. Although they face several social problems they have a common passion, to release their pain through music. Even though they suffer many social prejudice and segregation on a daily basis the film depicts how music soothes them.
“طرقه” مستندی جسورانه است که شرایط بخشی از زنان روستاهای شمال خراسان را به تصویرمی کشد. در طرقه داستان زنانی را میبینیم و میشنویم که با ساز دوتارشان زخمه بر ساز میزنند و هر زخمه بر دوتار آرامشی آنی به آنها میبخشد. زنانی که در طرقه دوتار
در این شرایط سخت و در جامعهای با روحیه مرد سالارانه که نسل به نسل از پدر به پسر رسیده این زنان و دختران جوان نوازندگان و خوانندگان ماهری شدهاند که محمد حسن دامنزن زندگی این زنان را ثبت کرده است
با ایفای نقش خان گل،زیباصنم،گل نبات و یلدا عباسی
“Because of this, we decreed for the Children of Israel that anyone who murders any person who had not committed murder or horrendous crimes, it shall be as if he murdered all the people. And anyone who spares a life, it shall be as if he spared the lives of all the people.”
میگن اسبت رفیق روز جنگه